{"id":10609,"date":"2015-05-21T00:02:59","date_gmt":"2015-05-21T00:02:59","guid":{"rendered":"https:\/\/harissa.com\/news-wp\/?p=10609"},"modified":"2015-05-21T00:02:59","modified_gmt":"2015-05-21T00:02:59","slug":"cannes-se-plonge-dans-lhistoire-avec-un-film-eprouvant-sur-la-shoah","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/cannes-se-plonge-dans-lhistoire-avec-un-film-eprouvant-sur-la-shoah\/","title":{"rendered":"Cannes se plonge dans l\u2019Histoire avec un film \u00e9prouvant sur la Shoah"},"content":{"rendered":"<header>\n<p>\n\t\tCannes se plonge dans l&rsquo;Histoire avec un film &eacute;prouvant sur la Shoah<\/p>\n<\/header>\n<figure>\n<div data-images=\"http:\/\/www.lavenir.net\/services\/article\/articleservicewcf.svc\/getimagesforarticle?articleid=dmf20150515_00650204\" data-uid=\"DMF20150515_00650204\" id=\"photocontainer\"><figcaption>\n<p>\n\t\t\t&nbsp;<\/p>\n<\/figcaption><\/div>\n<\/figure>\n<div>\n<aside>\n<div id=\"imu\">\n<div id=\"IMU\">\n\t\t\t<center><\/p>\n<p>\n\t\t\t\t\t&nbsp;<\/p>\n<p>\t\t\t<\/center>\n\t\t<\/div>\n<\/p><\/div>\n<\/aside>\n<p>\n\t\tCannes se plonge dans l&rsquo;Histoire des Juifs d&rsquo;Europe centrale vendredi avec deux premi&egrave;res &oelig;uvres tr&egrave;s attendues: un film hongrois choc sur la Shoah et un film de Natalie Portman retra&ccedil;ant l&rsquo;arriv&eacute;e en terre promise.<\/p>\n<p>\n\t\tTroisi&egrave;me film pr&eacute;sent&eacute; en comp&eacute;tition &agrave;&nbsp;<a data-tag-art-count=\"1281\" href=\"http:\/\/www.lavenir.net\/tag\/place\/cannes\">Cannes<\/a>, &laquo;Le Fils de Saul&raquo; du Hongrois&nbsp;<a data-tag-art-count=\"3\" href=\"http:\/\/www.lavenir.net\/tag\/pers\/laszlo_nemes\">Laszlo Nemes<\/a>raconte l&rsquo;histoire de&nbsp;<a data-tag-art-count=\"2\" href=\"http:\/\/www.lavenir.net\/tag\/pers\/saul_ausl%C3%A4nder\">Saul Ausl&auml;nder<\/a>, un d&eacute;port&eacute; juif forc&eacute; de participer &agrave; la Solution finale &agrave;&nbsp;<a data-tag-art-count=\"209\" href=\"http:\/\/www.lavenir.net\/tag\/place\/auschwitz\">Auschwitz<\/a>&nbsp;au sein des Sonderkommandos, unit&eacute;s de prisonniers qui travaillaient dans les chambres &agrave; gaz.<\/p>\n<p>\n\t\tUn jour, au c&oelig;ur de l&rsquo;enfer, Saul d&eacute;couvre un jeune gar&ccedil;on qui survit mais seulement bri&egrave;vement au gaz, et dans lequel il croit reconna&icirc;tre son fils. Boulevers&eacute;, il va alors tout faire pour essayer de lui offrir une s&eacute;pulture.<\/p>\n<p>\n\t\tLaszlo Nemes, 38 ans, dont une partie de la famille &ndash; des Juifs venus d&rsquo;Ukraine &ndash; a &eacute;t&eacute; assassin&eacute;e &agrave; Auschwitz, a d&eacute;cid&eacute; apr&egrave;s avoir trouv&eacute; un recueil de textes &eacute;crits par des membres des Sonderkommandos de traiter ce sujet rattach&eacute; &agrave; son histoire personnelle.<\/p>\n<p>\n\t\t&laquo;Je me suis demand&eacute; quelle &eacute;tait l&rsquo;impression que les juifs avaient quand ils arrivaient &agrave;&nbsp;<a data-tag-art-count=\"16\" href=\"http:\/\/www.lavenir.net\/tag\/place\/birkenau\">Birkenau<\/a>&nbsp;sur la rampe. Qu&rsquo;est-ce que l&rsquo;on voyait? Quelles &eacute;taient les derni&egrave;res heures? Me projeter a &eacute;t&eacute; une force qui m&rsquo;a pouss&eacute; &agrave; faire le film&raquo;, a-t-il expliqu&eacute;, &eacute;mu, &agrave; l&rsquo;AFP.<\/p>\n<p>\n\t\tFilmant son h&eacute;ros au plus pr&egrave;s dans son quotidien insoutenable, le r&eacute;alisateur prend le parti de montrer les choses du point de vue de Saul, et de ne donner &agrave; voir que ce qu&rsquo;il voit, laissant presque toujours l&rsquo;horreur floue ou hors champ.<\/p>\n<p>\n\t\t&laquo;Il est au milieu de l&rsquo;usine de mort, il ne regarde plus cette usine, il ne regarde plus les d&eacute;port&eacute;s, il ne regarde plus les cadavres. Ce qu&rsquo;il regarde, c&rsquo;est tout ce qui est li&eacute; &agrave; sa qu&ecirc;te, essayer d&rsquo;enterrer ce gar&ccedil;on qu&rsquo;il pense &ecirc;tre son fils&raquo;, souligne-t-il.<\/p>\n<p>\n\t\t&laquo;Survie int&eacute;rieure&raquo;<\/p>\n<p>\n\t\tLe r&eacute;alisateur dit &laquo;avoir tenu &agrave; trouver une voie diff&eacute;rente pour repr&eacute;senter l&rsquo;enfer des camps d&rsquo;extermination&raquo;, car &agrave; ses yeux, &laquo;le sujet a &eacute;t&eacute; en g&eacute;n&eacute;ral trait&eacute; d&rsquo;une mani&egrave;re insatisfaisante&raquo;.<\/p>\n<p>\n\t\t&laquo;Les films avaient souvent cette tendance &agrave; vouloir trop montrer&raquo;, ajoute-t-il.<\/p>\n<p>\n\t\tOppressant, rythm&eacute; visuellement par les d&eacute;placements et les gestes de Saul, le film l&rsquo;est aussi par les sons gla&ccedil;ants du four cr&eacute;matoire: claquements m&eacute;talliques, bruit de pas et de mains qui tambourinent sur la porte de la chambre &agrave; gaz, bruissement des corps que l&rsquo;on tire, grincement des chariots que l&rsquo;on pousse, ordres cri&eacute;s en allemand, bribes de conversations en diverses langues&hellip;<\/p>\n<p>\n\t\t&laquo;Une usine qui produit des cadavres&raquo;<\/p>\n<p>\n\t\t&laquo;Nous sommes plong&eacute;s au milieu de cette usine horrible, c&rsquo;est une usine qui produit des cadavres&raquo;, souligne le cin&eacute;aste n&eacute; en Hongrie mais qui a pass&eacute; sa jeunesse &agrave; Paris.<\/p>\n<p>\n\t\tPour lui, ce film raconte &laquo;une histoire de survie int&eacute;rieure&raquo;. &laquo;Au milieu de l&rsquo;enfer des enfers, qu&rsquo;est-ce qui peut rester comme voie int&eacute;rieure? C&rsquo;est la question qui est pos&eacute;e par le film&raquo;.<\/p>\n<p>\n\t\t<a href=\"http:\/\/www.lavenir.net\/cnt\/DMF20150515_00650204\" style=\"color: rgb(0, 0, 0);\">Source<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cannes se plonge dans l&rsquo;Histoire avec un film &eacute;prouvant sur la Shoah &nbsp; &nbsp; Cannes se plonge dans l&rsquo;Histoire des Juifs d&rsquo;Europe centrale vendredi avec deux premi&egrave;res &oelig;uvres tr&egrave;s attendues: un film hongrois choc sur la Shoah et un film de Natalie Portman retra&ccedil;ant l&rsquo;arriv&eacute;e en terre promise. Troisi&egrave;me film pr&eacute;sent&eacute; en comp&eacute;tition &agrave;&nbsp;Cannes, &laquo;Le&hellip;&nbsp;<\/p>\n","protected":false},"author":2,"featured_media":19703,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[139,33,248,1],"tags":[],"class_list":["post-10609","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cannes","category-cinema","category-europe-centrale","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Cannes se plonge dans l\u2019Histoire 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