{"id":29513,"date":"2026-09-30T15:47:44","date_gmt":"2026-09-30T15:47:44","guid":{"rendered":"https:\/\/harissa.com\/news-wp\/?p=29513"},"modified":"2026-09-30T15:47:44","modified_gmt":"2026-09-30T15:47:44","slug":"les-nouveaux-films-de-la-rentree-par-roger-chemouni","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/les-nouveaux-films-de-la-rentree-par-roger-chemouni\/","title":{"rendered":"Les nouveaux films de la rentree, par Roger Chemouni"},"content":{"rendered":"<div>\n<div>\n<div>\n<div>\n<div>\n<hr\/><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n<\/div>\n<div>\n<p><b> TEN\u00a0 de Abbas Kiarostami sortie le 18 septembre 2002<\/b> <\/p>\n<p><b> Etrange film du cin\u00e9aste iranien Abbas Kiarostami (1) qui pose et immobilise sa cam\u00e9ra dans une voiture dans laquelle plusieurs protagonistes vont affronter le regard et le discours de la conductrice. Conductrice de v\u00e9hicule, d\u2019id\u00e9es , de destin\u00e9es peut \u00eatre , cette femme affronte un fils v\u00e9h\u00e9ment , une amie \u00e9perdue , une vieille femme religieuse \u00a0,une prostitu\u00e9e r\u00e9aliste , parfois son ex mais de fa\u00e7on plus furtive d\u2019autant que cet interlocuteur\u00a0 est hors du champ &#8211; hors de la voiture- comme si cette confrontation ne pouvait avoir lieu de front , ce gros plan n\u2019\u00e9tait pas r\u00e9alisable car dans cette soci\u00e9t\u00e9 paternaliste , machiste la femme ne discute pas . Cette absence de dialogue r\u00e9el\u00a0 renforce l\u2019image pertinente de la femme iranienne d\u00e9j\u00e0 confront\u00e9e \u00e0 un enfant rebelle, critique, analyste, misogyne . C\u2019est bien cette image immuable par la cam\u00e9ra et par les esprits aussi que d\u00e9peint son auteur sans artifice r\u00e9el , avec une mise en sc\u00e8ne discr\u00e8te effac\u00e9e\u00a0:la femme pieuse et la p\u00e9ripat\u00e9ticienne sont \u00e0 peine montr\u00e9es , ceux qui ont des relations pouss\u00e9es avec Dieu ou \u00a0les hommes sont ils \u00a0\u00ab\u00a0infilmables\u00a0\u00bb.Reste un film d\u2019une grande richesse d\u2019\u00e9motions, un film d\u00e9fi qui nous renvoie des images universelles quant \u00e0 la condition f\u00e9minine.<\/b><\/p>\n<p><b>(1) 1996 \u00ab\u00a0Le go\u00fbt de la cerise\u00a0\u00bb Palme d\u2019Or <\/b><\/p>\n<p><b> LES SENTIERS DE LA PERDITION<\/b> de Sam Mend\u00e8s (usa 2002) sortie le 11 septembre<\/p>\n<p><b> Un tueur \u00e0 gages (Tom Hanks) et le fils d\u2019un parrain sont surpris par l\u2019enfant du premier dans leurs travaux meurtriers. D\u00e8s lors s\u2019engage entre l\u2019homme de main et son employeur et mentor \u00a0(Paul Newman) une lutte sans merci . Le film ne se veut \u00a0pas \u00eatre \u00a0la \u00e9ni\u00e8me monture du film de gangsters mais un regard \u00a0nouveau sur ce genre comme le fut une d\u00e9cennie plus t\u00f4t \u00ab\u00a0Pulp fiction\u00a0\u00bb .Les personnages deviennent h\u00e9ros de trag\u00e9dies grecques pr\u00e9occup\u00e9 jouant par la \u00a0destin\u00e9e de leurs proche que la leur \u00a0ce sont deux p\u00e8res \u00e9cras\u00e9s par leurs obligations et par le poids des transmissions . une \u0153uvre stylis\u00e9e, superbement interpr\u00e9t\u00e9e. <\/b><\/p>\n<p><b> WINDTALKERS<\/b> de John Woo (USA 2002) sortie le 4 septembre 2002<\/p>\n<p><b> Il est dommage que dans la tentative louable de reconna\u00eetre ses minorit\u00e9s et leurs apports ind\u00e9niables, il y est point assez d\u2019\u00e9motivit\u00e9 pour reconna\u00eetre ce film nous qui avons reconnu avec plaisir les \u0153uvres pr\u00e9c\u00e9dentes de John Woo (Volte Face\u00a0)et les interpr\u00e9tations g\u00e9niales de Nicolas Cage (A tombeau ouvert)<\/b><\/p>\n<p><b> ARARAT<\/b> de Atom Egoyan 2002\u00a0 sortie le 4 septembre 2002<\/p>\n<p><b> L\u00e0 aussi, nous pensons que les bons sentiments ne font pas les bons films , malgr\u00e9 le talent des uns et des autres (Charles Aznavour, Elias Kot\u00e9as).La fusion des propos nuit au propos lui-m\u00eame, et que le film dans le film reste toujours un pi\u00e8ge pour une analyse pertinente de la m\u00e9moire. L\u2019\u00e9vocation du g\u00e9nocide arm\u00e9nien m\u00e9riterait un autre traitement\u00a0; n\u00e9anmoins l\u2019entreprise est louable et le film se laisse regarder. <\/b><\/p>\n<p><b> LES DIABLES<\/b>\u00a0 de Christophe Ruggia (France 2002 sortie le 11septembre 2002)<\/p>\n<p><b> Marseille , de nos jours ,Joseph et Chlo\u00e9 fr\u00e8re et s\u0153ur abandonn\u00e9s \u00e0 leur naissance sont \u00e0 la recherche de la maison de leurs parents .Adolescents d\u2019une douzaine d\u2019ann\u00e9es, ils fuguent sans arr\u00eat , chlo\u00e9 autiste se laisse conduire par Joseph. Ce film \u00e9mouvant de l\u2019auteur de \u00ab\u00a0le g\u00f4ne de Chaaba\u00a0\u00bb refl\u00e8te la qu\u00eate de deux \u00eatres sans rep\u00e8res , affol\u00e9s et laiss\u00e9s presque dans leur solitude. C\u2019est une histoire d\u2019amour entre un fr\u00e8re et une s\u0153ur dont les interdits absents rendent leur relation ambigu\u00eb et violente parfois. Cette m\u00eame violence r\u00e9sultant du manque affectif \u00a0rend leur vie sauvage et leurs choix restreints\u00a0. <\/b><\/p>\n<p><b> Peinture r\u00e9aliste d\u2019une enfance d\u00e9truite, de l\u2019\u00e9veil de la sexualit\u00e9 , de la sensualit\u00e9 , ce film hors du cin\u00e9ma commercial revendique un cin\u00e9ma d\u2019auteur dont nous appr\u00e9cions \u00e0 nouveau la d\u00e9monstration. <\/b><\/p>\n<p><b> INTERVENTION DIVINE<\/b> de\u00a0 Elia Suleiman Palestine 2002 sortie le 2 octobre <\/p>\n<p><b> L\u2019action se passe \u00e0 Narareth , enfin les actions car nous assistons dans cette \u0153uvre burlesque \u00e0 un d\u00e9ferlement \u00a0de folie douce et l\u00e9g\u00e8re\u00a0; un p\u00e8re no\u00ebl est poursuivi par un groupe pr\u00eat \u00e0 l\u2019ex\u00e9cuter, un homme va ses journ\u00e9es \u00e0 d\u00e9truire la m\u00eame route , un autre \u00a0semble attendre imperturbable \u00e0 un arr\u00eat de bus inusit\u00e9 , un troisi\u00e8me s\u2019amuse \u00e0 lancer des d\u00e9tritus chez son voisin, un enfant footballeur voit son ballon crev\u00e9 par un locataire irascible devant les regards passifs de deux vieillards. D\u2019autres faits drolatiques , d\u2019autres r\u00e9voltes mesquines inondent ce film intemporel o\u00f9 surnagent une histoire d\u2019amour platonique entre deux \u00eatres , eux aussi d\u00e9sireux d\u2019\u00e9chapper \u00e0 la r\u00e9alit\u00e9 de l\u2019occupation isra\u00e9lienne\u00a0. Ces sayn\u00e8tes rappellent le cin\u00e9ma de Pierre Etaix et de Jacques Tati \u00a0par leur c\u00f4t\u00e9 ironique, par leur sens pointu de l\u2019observation et montrent un cin\u00e9aste qui a fait de l\u2019humour \u00ab\u00a0la politesse de l\u2019espoir\u00a0\u00bbNous pouvons pardonner cette sc\u00e8ne fantasmatique \u00a0o\u00f9 une femme d\u00e9cime des soldats isra\u00e9liens un peu obtus car l\u2019auteur est tout aussi critique envers les siens. La v\u00e9ritable intervention divine est celle de Elia Suleiman dans le traitement de son film <\/b><\/p>\n<hr\/>\n<blockquote>\n<blockquote><\/blockquote>\n<\/blockquote>\n<h6><\/h6>\n<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>TEN\u00a0 de Abbas Kiarostami sortie le 18 septembre 2002 Etrange film du cin\u00e9aste iranien Abbas Kiarostami (1) qui pose et immobilise sa cam\u00e9ra dans une voiture dans laquelle plusieurs protagonistes vont affronter le regard et le discours de la conductrice. Conductrice de v\u00e9hicule, d\u2019id\u00e9es , de destin\u00e9es peut \u00eatre , cette femme affronte un fils&hellip;&nbsp;<\/p>\n","protected":false},"author":1880,"featured_media":53319,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[493],"tags":[],"class_list":["post-29513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Les nouveaux films de la rentree, par Roger Chemouni | HARISSA.COM<\/title>\n<meta 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