{"id":29752,"date":"2026-09-30T15:47:58","date_gmt":"2026-09-30T15:47:58","guid":{"rendered":"https:\/\/harissa.com\/news-wp\/?p=29752"},"modified":"2026-09-30T15:47:58","modified_gmt":"2026-09-30T15:47:58","slug":"sorties-cinema-par-roger-chemouni","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/sorties-cinema-par-roger-chemouni\/","title":{"rendered":"SORTIES CINEMA, par Roger Chemouni"},"content":{"rendered":"
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HELLO GOODBYE<\/b> de Graham Duit France 2008<\/p>\n

\"HELLO<\/p>\n

Une femme Gis\u00e8le\u00a0 (Fanny Ardant<\/b><\/a>) d\u00e9sire \u00e9migrer en Isra\u00ebl et pousse son mari Alain Gaaast (G\u00e9rard Depardieu<\/b><\/a> ) gyn\u00e9cologue \u00e0 la suivre dans son d\u00e9sir. Arriv\u00e9s sur place ils vont aller de d\u00e9sillusion en contrari\u00e9t\u00e9, de d\u00e9senchantement\u00a0 en d\u00e9convenue. Ils se font flou\u00e9s par un agent immobilier ( \u00e9tonnant Manu Payet<\/b><\/a>ce comique issu de la R\u00e9union) , mis en attente d\u2019un poste de m\u00e9decin par un directeur de clinique un peu l\u00e9ger .<\/p>\n

Quel \u00e9tait le but du r\u00e9alisateur\u00a0: faire une com\u00e9die\u00a0: c\u2019est loup\u00e9, dresser une charge contre la Terre promise o\u00f9 selon lui\u00a0 rien n\u2019est promis\u00a0; ce n\u2019est pas convaincant tellement tout est p\u00e9tard mouill\u00e9 et accumulent les poncifs et autres clich\u00e9s. Il aurait \u00e9t\u00e9 int\u00e9ressant de parler en d\u2019autres termes des contradictions\u00a0 d\u2019un pays et des d\u00e9ceptions des \u00e9migrants.<\/p>\n

\"hello<\/p>\n

Le film est lamentable , tout est convenu et grossier malgr\u00e9 quelques bons moments critiques ( les relations avec la m\u00e8re et l\u2019interpr\u00e9tation des com\u00e9diens dont Jean Benguigui en juif plus royaliste qu\u2019un isra\u00e9lien et le plaisir de revoir un groupe de com\u00e9diens isra\u00e9liens que nous adorons ( Lior Ashk\u00e9nazi \u2013 Sassoon Gabbai \u2013 Dana Ivgy \u2013 Mosko Alcalai ). Bref un film kleenex \u00e0 oublier, good bye.<\/p>\n

TWO LOVERS \u00a0de James Gray\u00a0 USA 2008<\/b><\/p>\n

\"two<\/b><\/p>\n

L\u00e9onard (Joaquin Phoenix<\/b><\/a>) est un \u00eatre d\u00e9pressif, suite \u00e0 une rupture amoureuse, d\u00e9prime qui s\u2019accompagne de gestes suicidaires. Le prologue le montre dans sa \u00e9ni\u00e8me autolyse dont il en ressort encore vivant. Ses parents (Isabella Rossellini<\/b><\/a> et <\/b> Moni Moshonov<\/b><\/a> ) d\u00e9cident selon la tradition juive de lui trouver une femme , en l\u2019occurrence la fille de leurs amis Sandra Cohen (Vinessa Shaw<\/a><\/u><\/b> )une belle femme conformiste , mais L\u00e9onard est attir\u00e9 par sa voisine\u00a0 une femme fantasque, volage et d\u00e9lur\u00e9e Mich\u00e8le (Gwyneth Paltrow<\/a><\/b>) dont il fait connaissance un soir. Deux femmes vont monopoliser la pens\u00e9e de notre h\u00e9ros romanesque, la premi\u00e8re fait de lui son amant et la seconde son confident.<\/p>\n

\"two_lovers.jpg\"<\/p>\n

James Gray d\u00e9laisse le polar sombre et violent mettant en sc\u00e8ne des familles juives en lien avec la maffia, pour une \u00e9tude des sentiments amoureux. Ce marivaudage talentueux est u grand plaisir cin\u00e9matographique qui porte son spectateur et transporte son h\u00e9ros au-del\u00e0 de l\u2019angoisse, aux confins du plaisir et aux portes du choix. Et quand le protagoniste l\u00e2che ses premi\u00e8res larmes, nous ne savons pourquoi r\u00e9ellement, ni pour qui\u00a0: pour lui o\u00f9 pour un amour d\u00e9funte. Toujours est \u2013il que ce sentiment nouveau est l\u2019aube d\u2019une carri\u00e8re amoureuse. James Gray nous offre une \u0153uvre \u00e9l\u00e9gante qui allie amour et mort, famille et tradition, espoirs et passions le tout avec gr\u00e2ce.<\/p>\n

SORTIES DVD<\/p>\n

LA LONGUE ROUTE (Daleska Cesta) de Aldred Radok (1)<\/b><\/p>\n

\"la \"la_longue_route_3.jpg\"<\/p>\n

A l\u2019aube des ann\u00e9es 50, peu de films avaient \u00e9voqu\u00e9 l\u2019univers concentrationnaire, au silence de l\u2019Histoire se succ\u00e9dait un silence cin\u00e9matographique, celui du tch\u00e8que \u00e9chappa \u00e0 cette r\u00e8gle (2)<\/p>\n

Pendant la seconde guerre mondiale, Le docteur Antonin Bures non juif \u00e9pouse sa coll\u00e8gue juive Hana dont il est amoureux , pour la sauver de l\u2019\u00e9tau nazi qui se resserre autour de la communaut\u00e9 juive qui est dirig\u00e9e progressivement vers le ghetto de T\u00e9r\u00e9zin\u00a0 (3) pour \u00eatre transf\u00e9r\u00e9s vers les camps de la mort .<\/p>\n

Un film \u00e9mouvant non pas seulement par son \u00e9vocation, mais par son traitement sans fioritures, ni pathos, ses images fortes multiples et p\u00e9nibles (la femme oblig\u00e9 d\u2019amener avec ses dents , le seau de toilette, celle qui a le visage \u00e9cras\u00e9 par un autre nazi, les musiciens qui rythment le passage des concentrationnaires) qui rappellent une r\u00e9alit\u00e9 de ce camp peu commun o\u00f9 les nazis permettaient aux prisonniers de monter des spectacles. \u0152uvre d\u00e9nonciatrice, r\u00e9alis\u00e9e avec r\u00e9alisme dont le ton noir et blanc rappelle l\u2019expressionnisme et rendant de fa\u00e7on troublante l\u2019horreur, la violence et la vie insoutenable des ghettos et le sadisme des nazis.<\/p>\n

(1) Doriane.films <\/p>\n

(2) Le film sc\u00e9naris\u00e9 et jou\u00e9 par Isra\u00ebl Becker \u00ab\u00a0Longue est la route<\/i> \u00ab\u00a0 en 1948, celui de Wanda Jakubowska<\/a> \u00ab\u00a0La derni\u00e8re \u00e9tape<\/i>\u00a0\u00bb Pologne 1949 et \u00ab\u00a0La v\u00e9rit\u00e9 n\u2019a pas de fronti\u00e8re\u00a0\u00bb\u00a0 de Alexander Ford ,Pologne 1948<\/p>\n

(3) Ce fameux ghetto visit\u00e9 par un repr\u00e9sentant qui ne s\u2019aper\u00e7ut\u00a0 point de la mise en sc\u00e8ne des allemands qui passaient passer ce lieu pour humain et qui donnera un documentaire Claude Lanzman \u00ab\u00a0 Un vivant qui passe<\/i>\u00a0\u00bb<\/p>\n

L\u2019ENCLOS \u00a0de Armand Gatti 1961 France -Yougoslave <\/b><\/p>\n

Ed\u00a0: Doriane films<\/p>\n

\"L\u2019ENCLOS.jpg\" \"L\u2019ENCLOS <\/p>\n

Une autre \u0153uvre forte qui t\u00e9moigne de la cruaut\u00e9 nazie\u00a0 au travers une fiction assez r\u00e9aliste\u00a0: l\u2019enfermement de deux prisonniers, un d\u00e9tenu juif (Jean N\u00e9groni<\/b><\/a>) et un condamn\u00e9 politique (Hans Christian Blech<\/b><\/a>) que l\u2019on pousse \u00e0 la haine en faisant croire que chacun est l\u00e0 pour tuer l\u2019autre. <\/p>\n

Prim\u00e9 \u00e0 Cannes et \u00e0 Moscou ce film tragique est l\u2019un des plus marquants t\u00e9moignages de l\u2019univers des camps de concentration. Le film est pr\u00e9sent\u00e9 avec un portait de l\u2019\u00e9crivain r\u00e9alisateur Armand Gatti ainsi de son interview concernant son film <\/p>\n

FALKENAU VISION DE L\u2019IMPOSSIBLE <\/b><\/p>\n

de Emil Weiss 1988 France -Angleterre<\/b><\/p>\n

Ed\u00a0: Doriane films<\/p>\n

\"falkenau.jpg\"<\/p>\n

Samuel Fuller le c\u00e9l\u00e8bre r\u00e9alisateur qui d\u00e9buta en 1949\u00a0 dut r\u00e9aliser 4 ans plus t\u00f4t sur demande un document unique (en 16 mm , muet ) sur la lib\u00e9ration du camp de Falkeneau. En 1986 il revient sur les conditions du tournage, sur l\u2019atmosph\u00e8re de ce lieu o\u00f9 les notables affirment n\u2019avoir rien vu , ni rien senti e l\u2019extermination des juifs et se voient confier d\u00e8s lors par le chef des arm\u00e9es am\u00e9ricaines de ramasser les corps et de les enterrer .<\/p>\n

Samuel Fuler qui \u00e9voquera son exp\u00e9rience de la gu\u00e8re dan le superbe \u00ab\u00a0Big Red One\u00a0\u00bb avec Lee Marvin avoue ne plus envisager l\u2019art cin\u00e9matographique comme une discipline mensong\u00e8re, il s\u2019interroge sur le pouvoir des images, leur impact et leur repr\u00e9sentation. Peut-on de repr\u00e9senter l\u2019univers concentrationnaire dans la fiction\u00a0? le travelling est-il une affaire de morale. M\u00eame 40 ans apr\u00e8s Samuel Fuller\u00a0 s\u2019interroge sur ce pass\u00e9 \u00ab\u00a0qui ne passe pas\u00a0\u00bb\u00a0 et confirme le besoin de transmettre le pass\u00e9\u00a0 aux g\u00e9n\u00e9rations \u00e0 venir.<\/p>\n

\"photos.bmp\"<\/p>\n

roger.chemouni@laposte.net<\/p>\n<\/p><\/div>\n<\/p><\/div>\n<\/p><\/div>\n\n

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<\/blockquote>\n<\/blockquote>\n
<\/h6>\n","protected":false},"excerpt":{"rendered":"

HELLO GOODBYE de Graham Duit France 2008 Une femme Gis\u00e8le\u00a0 (Fanny Ardant) d\u00e9sire \u00e9migrer en Isra\u00ebl et pousse son mari Alain Gaaast (G\u00e9rard Depardieu ) gyn\u00e9cologue \u00e0 la suivre dans son d\u00e9sir. Arriv\u00e9s sur place ils vont aller de d\u00e9sillusion en contrari\u00e9t\u00e9, de d\u00e9senchantement\u00a0 en d\u00e9convenue. Ils se font flou\u00e9s par un agent immobilier (… <\/p>\n","protected":false},"author":1880,"featured_media":30281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[493],"tags":[],"class_list":["post-29752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts"],"yoast_head":"\nSORTIES CINEMA, par Roger Chemouni | HARISSA.COM<\/title>\n<meta name=\"description\" content=\"HELLO GOODBYE de Graham Duit France 2008 Une femme Gis\u00e8le\u00a0 (Fanny Ardant) d\u00e9sire \u00e9migrer en Isra\u00ebl et pousse son mari Alain Gaaast (G\u00e9rard Depardieu )\" \/>\n<meta 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