{"id":59809,"date":"2018-04-22T17:28:29","date_gmt":"2018-04-22T17:28:29","guid":{"rendered":""},"modified":"2018-04-22T17:28:29","modified_gmt":"2018-04-22T17:28:29","slug":"le-piano-du-juif-inconnu","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/le-piano-du-juif-inconnu\/","title":{"rendered":"Le Piano du Juif inconnu"},"content":{"rendered":"<header>\n<p itemprop=\"name\">Le Piano du Juif inconnu<\/p>\n<\/header>\n<p>C\u2019est une photographie en noir et blanc. Elle repr\u00e9sente des pianos parqu\u00e9s, comme orphelins, dans un sous-sol du Palais de Tokyo. La l\u00e9gende pr\u00e9cise qu\u2019ils ont \u00e9t\u00e9 confisqu\u00e9s \u00e0 des familles juives pour \u00eatre donn\u00e9s \u00e0 des familles allemandes. La fin de la guerre les avait laiss\u00e9s l\u00e0, attendant leurs pianistes. Certains reviendront, d\u2019autres jamais. L\u2019\u00e9tonnante histoire de ces instruments confisqu\u00e9s perdure encore aujourd\u2019hui.<\/p>\n<blockquote>\n<p>Les Allemands estiment que les juifs sont responsables des bombardements alli\u00e9s sur leurs villes. Comme ils sont responsables, ils doivent payer et leur mobilier doit \u00eatre saisi pour \u00eatre transf\u00e9r\u00e9 en Allemagne et \u00eatre distribu\u00e9 aux victimes des bombardements. C&rsquo;est la \u00ab\u00a0M\u00f6bel Aktion\u00a0\u00bb.<\/p>\n<\/blockquote>\n<h2>1er \u00e9pisode&nbsp;: Le Piano du Juif inconnu&nbsp;<\/h2>\n<p>Septembre 1942. Quatre d\u00e9m\u00e9nageurs p\u00e9n\u00e8trent dans un appartement du 25 Quai de Bourbon. Dans le salon se trouve un piano de marque Bechstein. Il y a longtemps qu\u2019il n\u2019a pas \u00e9mis un seul son&nbsp;: depuis juillet 1940, depuis que son pianiste s\u2019est r\u00e9fugi\u00e9 \u00e0 Colomiers, chez un ami, puis a \u00e9t\u00e9 intern\u00e9 au ch\u00e2teau de Chazeron. Il est juif, mais a \u00e9t\u00e9 pris pour de toutes autres raisons. Il s\u2019appelle L\u00e9on Blum. Son piano fait partie de milliers d\u2019instruments et de partitions confisqu\u00e9s par le r\u00e9gime nazi de 1940 \u00e0 1944, dans le but d\u2019\u00e9carter les artistes juifs de la cr\u00e9ation musicale. Une immense op\u00e9ration de pillage d\u00e9bute en 1940&nbsp;: d&rsquo;abord dans les grandes collections d&rsquo;artistes renomm\u00e9s, comme Gregor Piatigorski, Wanda Landowska ou Arthur Rubinstein, puis en 1942 dans pr\u00e8s de 40&nbsp;000 appartements parisiens appartenant \u00e0 des Juifs exil\u00e9s ou d\u00e9port\u00e9s. Les objets sont destin\u00e9s \u00e0 meubler les foyers allemands sinistr\u00e9s par les bombardements, et sont tri\u00e9s par des Juifs employ\u00e9s de force et cach\u00e9s dans 3 camps d&rsquo;internement dissimul\u00e9s au c\u0153ur de Paris&nbsp;: Austerlitz, L\u00e9vitan, et Bassano.<\/p>\n<figure itemscope=\"\" itemtype=\"https:\/\/schema.org\/ImageObject\"><img loading=\"lazy\" decoding=\"async\" alt=\"Le d\u00e9m\u00e9nagement des pianos\" height=\"278\" src=\"https:\/\/cdn.radiofrance.fr\/s3\/cruiser-production\/2018\/04\/3cbceec9-4fff-4f89-86e5-263c88952273\/738_3.jpg\" width=\"451\" \/><figcaption>Le d\u00e9m\u00e9nagement des pianos\u2022&nbsp;Cr\u00e9dits :&nbsp;<em itemprop=\"creator\">Bundesarchiv, Koblenz<\/em><\/figcaption><\/figure>\n<p>Au sein de l&rsquo;ERR, une administration nazie charg\u00e9e du pillage des biens culturels, on cr\u00e9e en ao\u00fbt 1940 le&nbsp;<em>Sonderstab Musik<\/em>, un d\u00e9partement sp\u00e9cialis\u00e9 dans le vol de la musique.&nbsp;<\/p>\n<blockquote>\n<p>C&rsquo;est un pillage radical, car les Allemands vident tout, y compris les prises de courant et m\u00eame les manteaux de chemin\u00e9es.<\/p>\n<\/blockquote>\n<p>Il se sert dans les objets pill\u00e9s et confisque manuscrits, instruments, partitions, et tout ce qui pourrait permettre aux artistes de jouer. Certains instruments -les meilleurs d\u2019entre eux-, sont offerts au&nbsp;<em>Reichs Bruckner Orchester<\/em>, un orchestre officiel du r\u00e9gime<em>.<\/em>&nbsp;Mais la majorit\u00e9 est stock\u00e9e, dans l\u2019attente d\u2019\u00eatre achemin\u00e9e vers des organisations nationales-socialistes ou des familles allemandes&nbsp;: au Palais de Tokyo, dans une aile du mus\u00e9e des Beaux-Arts, ou encore dans un garage de la rue de Richelieu\u2026&nbsp;<\/p>\n<p>\u00c0 la fin de la guerre, pr\u00e8s de 1&nbsp;200 pianos y sont abandonn\u00e9s. Une op\u00e9ration de restitution d\u00e9bute. Expos\u00e9s dans diverses places de Paris, certains retrouvent leurs propri\u00e9taires. Ainsi L\u00e9on Blum, qui, \u00e0 la sortie du camp de Buchenwald, retrouve son fid\u00e8le piano Bechstein, expos\u00e9 au Palais de Tokyo. D\u2019autres sont pr\u00eat\u00e9s aux musiciens spoli\u00e9s n\u2019ayant pu retrouver leurs biens. Du reste, on perd alors la trace.<\/p>\n<p><iframe loading=\"lazy\" allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pZuEbNk3n0s?feature=oembed\" width=\"100%\"><\/iframe><\/p>\n<p>Avec&nbsp;:&nbsp;<\/p>\n<p>Willem de Vries, musicologue, Annette Wieviorka, historienne, Jean-Marc Dreyfus, historien, Benjamin Fellmann, historien de l&rsquo;art, et Vincent Lunel&nbsp;<\/p>\n<p><strong>Un documentaire d&rsquo;H\u00e9l\u00e8ne Bigot, r\u00e9alis\u00e9 par Alexandra Malka. Prises de son Lo\u00efc Duros et Fran\u00e7ois Rivalan. Mixage Catherine Derethe. Archives INA&nbsp;: Haude Vassent. Extrait de<\/strong><em><strong>Monsieur Batignole<\/strong><\/em>&nbsp;<strong>de G\u00e9rard Jugnot. Avec la collaboration d&rsquo;Ad\u00e8le Cailleteau<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Le Piano du Juif inconnu C\u2019est une photographie en noir et blanc. Elle repr\u00e9sente des pianos parqu\u00e9s, comme orphelins, dans un sous-sol du Palais de Tokyo. La l\u00e9gende pr\u00e9cise qu\u2019ils ont \u00e9t\u00e9 confisqu\u00e9s \u00e0 des familles juives pour \u00eatre donn\u00e9s \u00e0 des familles allemandes. La fin de la guerre les avait laiss\u00e9s l\u00e0, attendant leurs&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":59810,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-59809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Piano du Juif inconnu | HARISSA.COM<\/title>\n<meta name=\"description\" content=\"Le Piano du Juif inconnu C\u2019est une photographie en noir et blanc. 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