{"id":61748,"date":"2019-02-23T06:06:35","date_gmt":"2019-02-23T06:06:35","guid":{"rendered":""},"modified":"2019-02-23T06:06:35","modified_gmt":"2019-02-23T06:06:35","slug":"el-hara-un-film-de-margaux-fitoussi-et-mo-scarpelli","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/el-hara-un-film-de-margaux-fitoussi-et-mo-scarpelli\/","title":{"rendered":"EL HARA, un film de Margaux Fitoussi et Mo Scarpelli"},"content":{"rendered":"<p><main role=\"main\"><\/p>\n<article data-scroll=\"native\" lang=\"en\">\n<section name=\"8df4\">\n<p id=\"772c\" name=\"772c\">EL&nbsp;HARA<\/p>\n<p>&nbsp;<\/p>\n<p id=\"5789\" name=\"5789\"><em>Dirs. Margaux Fitoussi, Mo Scarpelli, France, Tunisia, 2017, 16 min.<\/em><\/p>\n<p id=\"9516\" name=\"9516\"><strong><em>EL HARA <\/em><\/strong>follows one man\u2019s break with the neighborhood of his youth, the Jewish quarter of Tunis, highlighting how such moments of rupture haunt us forever. <em>Watch the film and read an interview with directors Margaux Fitoussi and Mo Scarpelli below:<\/em><\/p>\n<p><iframe loading=\"lazy\" allow=\"autoplay; fullscreen\" allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/player.vimeo.com\/video\/188352134?title=0&amp;byline=0&amp;portrait=0\" width=\"100%\"><\/iframe><\/p>\n<p><a href=\"https:\/\/vimeo.com\/188352134\">EL HARA \/\/ trailer<\/a> from Mo Scarpelli on Vimeo.<\/p>\n<p>JFI Presents: El Hara from Jewish Film Institute on Vimeo.<\/p>\n<p name=\"9516\"><strong>JFI: What inspired you to make this film?<\/strong><\/p>\n<figure data-scroll=\"native\" id=\"f98c\" name=\"f98c\"><noscript>&lt;div class=\u00a0\u00bbiframeContainer\u00a0\u00bb&gt;&lt;IFRAME data-width=\u00a0\u00bb854&Prime; data-height=\u00a0\u00bb480&Prime; width=\u00a0\u00bb100%\u00a0\u00bb height=\u00a0\u00bb551&Prime; src=\u00a0\u00bb\/media\/cf1b1bc370e025aab91df0598e64c10b?postId=b1e2adf60017&Prime; data-media-id=\u00a0\u00bbcf1b1bc370e025aab91df0598e64c10b\u00a0\u00bb data-thumbnail=\u00a0\u00bbhttps:\/\/i.embed.ly\/1\/image?url=https%3A%2F%2Fi.ytimg.com%2Fvi%2FJvIRBysqHcs%2Fhqdefault.jpg&amp;amp;key=a19fcc184b9711e1b4764040d3dc5c07&Prime; allowfullscreen frameborder=\u00a0\u00bb0&Prime;&gt;&lt;\/IFRAME&gt;&lt;\/div&gt;<\/noscript><\/figure>\n<p id=\"68b4\" name=\"68b4\"><strong>Margaux:<\/strong> In the preface to Albert Memmi\u2019s semi-autobiographical novel, <em>The Pillar of Salt, <\/em>Albert Camus notes \u201cthe impossibility of a Jewish Tunisian of French culture to be anything precise.\u201d I could really identify with that statement as someone who grew up in France and the United States in the Tunisian Jewish diaspora. <em>EL HARA<\/em> was an opportunity for me to explore <em>why<\/em> my family migrated from Tunisia to France and Israel in the decade following Tunisian independence.<\/p>\n<p id=\"3ca1\" name=\"3ca1\"><strong>JFI: What was your greatest challenge during the filmmaking process?<\/strong><\/p>\n<p id=\"9a57\" name=\"9a57\"><strong>Mo:<\/strong> It was Ramadan, and very hot, during the shoot. So, many places were closed all day (which was challenging considering we wanted to film the current atmosphere of a bustling city center neighborhood\u2026), most people were tired or hiding inside most of the day. I\u2019m not Muslim, but never wanted to eat in front of others who were fasting, so shooting on little food and water was challenging sometimes. Another challenge in the edit was trying to marry the real Memmi (an interview we did with him in Paris) with his writings, which we had read in a younger voice; this was fun to play with though until we figured out what worked best.<\/p>\n<p id=\"31b3\" name=\"31b3\"><strong>JFI: Any thoughts you\u2019d like to share about screening this film in a Jewish context?<\/strong><\/p>\n<p id=\"d130\" name=\"d130\"><strong>Margaux:<\/strong> I hope this film inspires people to think more about Jewish-American religiosity that is not embedded in the Ashkenazi and European experience and to read about the long history of Sephardi Jews in Middle Eastern and Muslim-majority countries.<\/p>\n<p id=\"9f20\" name=\"9f20\">If you\u2019d like more context on the film, I recently spoke on the Ottoman History Podcast.<\/p>\n<p id=\"f1d5\" name=\"f1d5\"><strong>JFI: What film\/media has inspired you lately?<\/strong><\/p>\n<p id=\"6aa2\" name=\"6aa2\"><strong>Mo:<\/strong> Too many! Right now, I\u2019m very motivated by contemporary docs that really follow an energy and pulse of a story vs. using didactic form, and are very strong stories visually. For example, <em>ABOVE AND BELOW <\/em>(2015), <em>THOSE WHO FEEL THE FIRE BURNING<\/em> (2015), <em>THESE BIRDS WALK<\/em> (2014\u2026 there are many more but these come to mind visually as influences on <em>EL HARA<\/em> and some of my recent work.<\/p>\n<p id=\"7a80\" name=\"7a80\"><strong>Margaux:<\/strong> Recently, I\u2019ve been inspired by the experimental films of Ana Vaz, a Brazilian filmmaker-artist! Her 15 minute short film, <em>OCCIDENTE, <\/em>unpacks the fraught post-colonial relationship between Brazil and Portugal and helped me think through how I wanted to make <em>EL HARA<\/em>.<\/p>\n<p id=\"cbf4\" name=\"cbf4\"><strong>JFI: What do you do when you\u2019re not filmmaking?<\/strong><\/p>\n<p id=\"99dd\" name=\"99dd\"><strong>Margaux:<\/strong> I just started a PhD program in anthropology at Columbia, which means I\u2019ve been doing a lot of reading and exploring New York!<\/p>\n<p id=\"6265\" name=\"6265\"><strong>Mo:<\/strong> I read poetry!<\/p>\n<p id=\"2c20\" name=\"2c20\"><strong>Lastly, gefilte fish: delicious, or disgusting?<\/strong><\/p>\n<p id=\"73ba\" name=\"73ba\"><strong>Margaux:<\/strong> I grew up in a Sephardi family and when I moved to the United States and tried gefilte fish for the first time I was\u2026not too impressed!<\/p>\n<\/section>\n<\/article>\n<p><\/main><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EL&nbsp;HARA &nbsp; Dirs. Margaux Fitoussi, Mo Scarpelli, France, Tunisia, 2017, 16 min. EL HARA follows one man\u2019s break with the neighborhood of his youth, the Jewish quarter of Tunis, highlighting how such moments of rupture haunt us forever. Watch the film and read an interview with directors Margaux Fitoussi and Mo Scarpelli below: EL HARA&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":61749,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-61748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>EL HARA, un film de Margaux Fitoussi et Mo Scarpelli | HARISSA.COM<\/title>\n<meta name=\"description\" content=\"EL&nbsp;HARA &nbsp; Dirs. 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