{"id":63054,"date":"2019-11-10T22:06:40","date_gmt":"2019-11-10T22:06:40","guid":{"rendered":""},"modified":"2019-11-10T22:06:40","modified_gmt":"2019-11-10T22:06:40","slug":"jaccuse-de-roman-polanski-un-film-eblouissant-par-alain-chouffan","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/jaccuse-de-roman-polanski-un-film-eblouissant-par-alain-chouffan\/","title":{"rendered":"J\u2019accuse  \u00bb de Roman Polanski. Un film \u00e9blouissant, par Alain Chouffan"},"content":{"rendered":"<header>\n<p>J\u2019accuse &nbsp;\u00bb de Roman Polanski. Un film \u00e9blouissant, par Alain Chouffan<\/p>\n<p>On en ressort \u00e9bloui ! Secou\u00e9 ! C\u2019est un thriller sur fond d\u2019espionnage. ( sortie \u00e0 Paris le 13 Novembre )<\/p>\n<p>On ne s\u2019attendait pas \u00e0 voir autant de d\u00e9tails dans le d\u00e9cor et une telle performance des acteurs qui ont rendu passionnant ce film. Ce \u201cj\u2019accuse\u201d, \u00e9videmment, raconte l\u2019Affaire Dreyfus, scandale majeur de la IIIe R\u00e9publique (1894-1906). Mais attention ! Sous un angle in\u00e9dit qui fait toute l\u2019originalit\u00e9 de ce film : toute l\u2019affaire Dreyfus \u00e0 travers le personnage du lieutenant-colonel Marie-Georges Picquart. Celui qui avait r\u00e9habilit\u00e9 le capitaine Dreyfus injustement condamn\u00e9. Un personnage central du d\u00e9nouement de l\u2019affaire, et qu\u2019on oublie toujours. C\u2019est ce lieutenant-colonel, antis\u00e9mite d\u00e9clar\u00e9, qui a largement contribu\u00e9 \u00e0 innocenter Alfred Dreyfus, ce capitaine juif, condamn\u00e9 en 1894 pour intelligence avec l\u2019ennemi et d\u00e9port\u00e9 sur l\u2019\u00eele du Diable, au large de la Guyane.<\/p>\n<p>Thriller sur fond d\u2019espionnage, ce film de Roman Polanski reconstitue les faits avec une pr\u00e9cision d\u2019horloger, dans une ambiance noire, grise, blafarde, et macabre. Marie-Georges Picquart, magistralement interpr\u00e9t\u00e9 par Jean Dujardin, l\u2019acteur Oscaris\u00e9 de The Artist, m\u00e8ne en secret son enqu\u00eate, comme une sorte de d\u00e9tective, pour faire \u00e9clater la v\u00e9rit\u00e9. Aucun d\u00e9tail n\u2019est n\u00e9glig\u00e9. Tout est pass\u00e9 au peigne fin, Tout para\u00eet petit, r\u00e9prim\u00e9, poussi\u00e9reux, car la v\u00e9rit\u00e9 se niche au fond de couloirs et de tiroirs, sur des bouts de papiers, des feuilles si fines que l\u2019\u00e9criture y est pr\u00e9caire. Les vrais coupables, il faut les chercher partout. Jean Dujardin est absolument remarquable. Il ne n\u00e9glige rien : les ministres, les officiers de l\u2019arm\u00e9e fran\u00e7aise qui d\u00e9filent en rivalisant d\u2019infamie, de b\u00eatise autosatisfaite ou de bouffonnerie.<\/p>\n<p>Epoustouflant ! Roman Polanski montre l\u2019incroyable machination comme une sinistre farce, faite d\u2019approximations et d\u2019improvisation.<br \/>\nPas besoin d\u2019\u00eatre grand clerc pour deviner que derri\u00e8re la pers\u00e9cution subie par Dreyfus, incarn\u00e9 par Louis Garrel, se dessine de mani\u00e8re souterraine \u2013 mais, aussi, secondaire \u2013 une part du harc\u00e8lement dont Polanski se sent lui-m\u00eame victime. En tout cas, sur le plan du cin\u00e9ma, c\u2019est imparable. Et gla\u00e7ant, m\u00eame du c\u00f4t\u00e9 des deux protagonistes principaux. Louis Garrel en Dreyfus, fantomatique, raide et tremblant, et Jean Dujardin plus en chair, mais opaque, tenu par sa seule mission, qui est en quelque sorte synonyme d\u2019obsession. Dujardin trouve l\u00e0 son premier grand r\u00f4le tragique, mais cette minutie, ce souci de la preuve donnent au film une solidit\u00e9, une \u00e9paisseur auxquelles ne parviennent que rarement les reconstitutions historiques. J\u2019accuse met donc ces deux personnages \u00e0 distance l\u2019un de l\u2019autre mais en miroir, pas plus aimables l\u2019un que l\u2019autre, mais qui portent tr\u00e8s haut leur sens de l\u2019honneur.<\/p>\n<p>A 86 ans, Polanski poursuit ainsi l\u2019\u0153uvre de transmission commenc\u00e9e avec Le Pianiste (2002), qui mettait en sc\u00e8ne la survie d\u2019un juif dans la Pologne occup\u00e9e, ayant lui-m\u00eame \u00e9chapp\u00e9 de justesse \u00e0 l\u2019extermination des habitants du ghetto de Cracovie). J\u2019accuse est situ\u00e9 \u00e0 un moment o\u00f9 l\u2019antis\u00e9mitisme n\u2019est pas encore devenu le moteur d\u2019une machine d\u2019extermination, mais est d\u00e9j\u00e0 un mal qui d\u00e9fait une soci\u00e9t\u00e9.<\/p>\n<p>Dans ce film, tout est reproduit \u00e0 l\u2019identique. On voit le lieutenant-colonel Picquart poussant la porte d\u2019une pi\u00e8ce o\u00f9 des policiers en civil jouent aux cartes et l\u2019on entrevoit C\u00e9zanne ou encore au cabaret, les danseuses composant un Lautrec, ou au concert ou l\u2019on entend Faur\u00e9. C\u2019est pourtant la m\u00eame soci\u00e9t\u00e9 qui pousse la foule \u00e0 huer l\u2019officier lorsque ses enqu\u00eates le conduisent au tribunal. Parce qu\u2019il est convaincu de l\u2019innocence de Dreyfus, Roman Polanski d\u00e9noue les n\u0153uds de trahison, de mensonge dans lesquels s\u2019\u00e9taient pi\u00e9g\u00e9s l\u2019\u00e9tat-major et la majorit\u00e9 conservatrice au pouvoir qui ont tiss\u00e9 l\u2019affaire Dreyfus. Pris s\u00e9par\u00e9ment, ce ne sont que des p\u00e9rip\u00e9ties, de celles qui font les romans d\u2019espionnage. Dans l\u2019objectif de l\u2019auteur du Pianiste, elles font tourner une machine infernale, faite d\u2019aveuglement, de pr\u00e9jug\u00e9s, de haine, que le cin\u00e9ma a rarement montr\u00e9e avec autant de puissance.<\/p>\n<p>Roman Polanski a toujours dit qu\u2019il voyait dans cette affaire un \u00e9cho \u00e0 sa propre histoire, s\u2019estimant \u201charcel\u00e9\u201d et \u201cpers\u00e9cut\u00e9\u201d. \u201cJe connais bon nombre de m\u00e9canismes de pers\u00e9cution qui sont \u00e0 l\u2019\u0153uvre dans ce film et cela m\u2019a \u00e9videmment inspir\u00e9\u201d a-t-il dit. Voil\u00e0 pourquoi depuis plus de sept ans, que le cin\u00e9aste voulait \u00e9voquer l\u2019affaire Dreyfus.<\/p>\n<p>Il a donc choisi pour son film, d\u2019adapter le livre de Robert Harris (intitul\u00e9 \u201cD\u201d publi\u00e9 chez Plon) qui oppose le bon, le lieutenant-colonel Picquart, au v\u00e9ritable tra\u00eetre, Esterhazy, occultant de fait, le v\u00e9ritable protagoniste, Dreyfus.<\/p>\n<p>Or \u2013 co\u00efncidence ?- voil\u00e0 que para\u00eet ce 23 octobre, un livre de l\u2019historien Philippe Oriol (\u201cLe faux ami du capitaine Dreyfus\u201d. Grasset) qui r\u00e9pond \u00e0 Harris en lui faisant remarquer un certain nombre de contre-v\u00e9rit\u00e9s. En effet, il r\u00e9fute, point par point, les agissements de Picquart cens\u00e9 s\u2019\u00eatre sacrifi\u00e9 pour Dreyfus ! Il s\u2019en d\u00e9gage un personnage bien plus ambivalent que Oriol nomme \u201c Le faux ami de Dreyfus\u201d\u2026.<\/p>\n<p>Alain Chouffan<\/p>\n<\/header>\n","protected":false},"excerpt":{"rendered":"<p>J\u2019accuse &nbsp;\u00bb de Roman Polanski. Un film \u00e9blouissant, par Alain Chouffan On en ressort \u00e9bloui ! Secou\u00e9 ! C\u2019est un thriller sur fond d\u2019espionnage. ( sortie \u00e0 Paris le 13 Novembre ) On ne s\u2019attendait pas \u00e0 voir autant de d\u00e9tails dans le d\u00e9cor et une telle performance des acteurs qui ont rendu passionnant ce&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":63055,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-63054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>J\u2019accuse \u00bb de Roman Polanski. 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