{"id":66707,"date":"2022-04-02T16:28:30","date_gmt":"2022-04-02T16:28:30","guid":{"rendered":""},"modified":"2022-04-02T16:28:30","modified_gmt":"2022-04-02T16:28:30","slug":"une-exposition-sur-les-rapports-complexes-entre-juifs-et-musulmans-de-la-france-coloniale-a-nos-jour","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/une-exposition-sur-les-rapports-complexes-entre-juifs-et-musulmans-de-la-france-coloniale-a-nos-jour\/","title":{"rendered":"Une exposition sur les rapports complexes entre \u00ab\u00a0juifs et musulmans, de la France coloniale \u00e0 nos jours\u00a0\u00bb"},"content":{"rendered":"
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Une exposition sur les rapports complexes entre \u00ab\u00a0juifs et musulmans, de la France coloniale \u00e0 nos jours\u00a0\u00bb<\/p>\n<\/div>\n<\/div>\n

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Par Yassine KHIRI, Karine PERRET<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n
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\u00ab\u00a0Juifs et musulmans, de la France coloniale \u00e0 nos jours\u00a0\u00bb: une exposition \u00e0 Paris apporte un regard historique et nuanc\u00e9 sur un si\u00e8cle et demi de relations complexes et sensibles entre deux communaut\u00e9s, avec pour objectif de \u00ab\u00a0conserver des passerelles\u00a0\u00bb.<\/p>\n

Cela n’a \u00ab\u00a0jamais \u00e9t\u00e9 montr\u00e9\u00a0\u00bb. \u00ab\u00a0C’est la premi\u00e8re fois qu’on tente cette aventure intellectuelle difficile, celle de l’histoire des rapports entre juifs et musulmans\u00a0\u00bb, qui a \u00ab\u00a0une tr\u00e8s grande long\u00e9vit\u00e9\u00a0\u00bb, affirme \u00e0 l’AFP l’historien Benjamin Stora, commissaire g\u00e9n\u00e9ral.<\/p>\n

Avec pour sous-titre \u00ab\u00a0plus d’histoire, moins de clich\u00e9s\u00a0\u00bb, cette exposition, qui ouvre mardi et se tient jusqu’au 17 juillet au Mus\u00e9e de l’histoire de l’immigration, \u00ab\u00a0met l’accent pas simplement sur les affrontements (…) mais sur les possibilit\u00e9s de transmission d’une m\u00e9moire commune, sans na\u00efvet\u00e9\u00a0\u00bb, souligne-t-il. Avec pour objectif \u00ab\u00a0d’essayer de dresser et conserver des passerelles\u00a0\u00bb.<\/p>\n

Ce projet, en outre, \u00ab\u00a0prolonge\u00a0\u00bb l’exposition \u00ab\u00a0Juifs d’Orient, une histoire plurimill\u00e9naire\u00a0\u00bb qui vient de se terminer \u00e0 l’Institut du monde arabe (IMA), avec \u00ab\u00a0une dimension compl\u00e9mentaire\u00a0\u00bb li\u00e9e \u00e0 \u00ab\u00a0l’histoire politique, culturelle, sociale de la France\u00a0\u00bb, ajoute Mathias Dreyfuss, historien, commissaire ex\u00e9cutif.<\/p>\n

Proposant des tirages photos, affiches, archives vid\u00e9os de l’Institut national de l’audiovisuel (INA), extraits de films, quelques tableaux de peinture, le parcours m\u00e8ne le visiteur \u00e0 travers trois grandes p\u00e9riodes.<\/p>\n

D’abord, de 1830 \u00e0 1914, avec l’arriv\u00e9e de la France en Alg\u00e9rie (1830), puis en Tunisie (1881) et au Maroc (1912). Puis la p\u00e9riode de l’entre-deux-guerres, le r\u00e9gime de Vichy, la guerre d’Alg\u00e9rie et la d\u00e9colonisation au Maroc et Tunisie. Et enfin, des ann\u00e9es 1967 \u00e0 nos jours, mais cette fois sur le territoire de la France m\u00e9tropolitaine, avec l’installation de grandes communaut\u00e9s juives et musulmanes qui sont aujourd’hui, en nombre, les deux plus importantes d’Europe.<\/p>\n

Le visiteur rencontre des preuves de \u00ab\u00a0s\u00e9paration\u00a0\u00bb ou \u00ab\u00a0d’affrontements\u00a0\u00bb, selon les termes de M. Stora: ainsi du d\u00e9cret Cr\u00e9mieux pris par l’Etat fran\u00e7ais en 1870 – une copie officielle est expos\u00e9e – qui octroie collectivement la citoyennet\u00e9 fran\u00e7aise aux 35.000 juifs d\u2019Alg\u00e9rie, mais pas aux 3 millions de musulmans. Ces derniers restent avec le statut d\u2019\u00a0\u00bbindig\u00e8ne\u00a0\u00bb aux droits civiques et juridiques limit\u00e9s, provoquant chez eux un sentiment d’injustice.<\/p>\n

Cela aura des r\u00e9percussions jusqu’en 1962, avec l’ind\u00e9pendance: les juifs arriv\u00e9s en m\u00e9tropole seront des rapatri\u00e9s puisque citoyens fran\u00e7ais, alors que les musulmans migrant deviennent des immigr\u00e9s.<\/p>\n

Autre \u00ab\u00a0grand traumatisme\u00a0\u00bb, selon M. Stora: les \u00e9meutes de Constantine en 1934, qui se soldent par 28 morts (25 juifs, 3 musulmans).<\/p>\n

On voit aussi combien, \u00e0 partir de 1967 et la Guerre des Six jours, le conflit isra\u00e9lo-palestinien devient \u00ab\u00a0ce qui cristallise les relations entre juifs et musulmans en France\u00a0\u00bb, explique M. Dreyfuss, et ce jusqu’\u00e0 aujourd’hui.<\/p>\n

Mais l’exposition montre aussi les interactions entre juifs et musulmans sur la sc\u00e8ne musicale et dans le domaine de la peinture \u00e0 certaines \u00e9poques (principalement dans l’entre-deux-guerres), ou encore le soutien (minoritaire) de familles juives engag\u00e9es du c\u00f4t\u00e9 alg\u00e9rien durant la guerre d’ind\u00e9pendance.<\/p>\n

Elle plonge le visiteur dans l’ambiance orientale du quartier de Belleville \u00e0 Paris dans les ann\u00e9es 1970, qui inspira des r\u00e9alisateurs de cin\u00e9ma. Elle l’interroge sur le racisme anti-musulman et l’antis\u00e9mitisme contemporain depuis la seconde Intifada. Et le laisse avec ces portraits d’adolescents – musulmans, juifs, chr\u00e9tiens, ath\u00e9es – d’un m\u00eame coll\u00e8ge de Sarcelles (Val d’Oise), r\u00e9alis\u00e9s en 2021 par la vid\u00e9aste Val\u00e9rie Mr\u00e9jen.<\/p>\n

Les pr\u00eats d’oeuvres et objets \u00e9manent principalement d’institutions nationales (archives nationales, pr\u00eats du mus\u00e9e du Quai Branly, du Mus\u00e9e d’art et d’histoire du juda\u00efsme, Centre Pompidou, Mus\u00e9e de l’immigration, images de l’INA). A la diff\u00e9rence de \u00ab\u00a0Juifs d’Orient\u00a0\u00bb, qui avait b\u00e9n\u00e9fici\u00e9 de pr\u00eats d’institutions isra\u00e9liennes, suscitant une pol\u00e9mique.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Par Yassine KHIRI, Karine PERRET<\/div>\n<\/div>\n<\/div>\n
 <\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

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