{"id":68393,"date":"2023-07-16T12:31:59","date_gmt":"2023-07-16T12:31:59","guid":{"rendered":""},"modified":"2023-07-16T12:31:59","modified_gmt":"2023-07-16T12:31:59","slug":"milan-kundera-inegalable-auteur-par-vanessa-de-loya-stauber","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/milan-kundera-inegalable-auteur-par-vanessa-de-loya-stauber\/","title":{"rendered":"Milan Kundera, in\u00e9galable auteur, par Vanessa De Loya Stauber"},"content":{"rendered":"<header class=\"post-info\">\n<div class=\"heading\">\n<p>Milan Kundera, in\u00e9galable auteur, par Vanessa De Loya Stauber<\/p>\n<p class=\"date-info\">&nbsp;<\/p>\n<\/div>\n<\/header>\n<div class=\"entry\">\n<p>Milan Kundera, immense \u00e9crivain Tch\u00e8que, nous a quitt\u00e9s \u00e0 94 ans. Un d\u00e9part pr\u00e9visible vu son \u00e9tat de grande fragilit\u00e9. Il reste difficile d\u2019apprivoiser l\u2019absence d\u2019un \u00eatre rare, devenu pr\u00e9cieux compagnon de lecture.<\/p>\n<p>Po\u00e8te, son premier recueil s\u2019intitulait&nbsp;<em>L\u2019homme, ce vaste jardin<\/em>.<\/p>\n<p>Pianiste initi\u00e9 par un p\u00e8re musicologue, il entame en 1948 des \u00e9tudes de litt\u00e9rature et d\u2019esth\u00e9tique \u00e0 l\u2019Universit\u00e9 de Prague puis s\u2019inscrit \u00e0 l\u2019Acad\u00e9mie de cin\u00e9ma o\u00f9 il \u00e9tudie trois ans.<\/p>\n<p>En 1967, son livre&nbsp;<em>La plaisanterie<\/em>&nbsp;lui vaut d\u2019\u00eatre salu\u00e9 et pr\u00e9fac\u00e9 par Aragon. Pr\u00e9cisons que ce roman censur\u00e9 dans son pays comme \u00ab&nbsp;trop politique&nbsp;\u00bb, ne fut autoris\u00e9 \u00e0 Prague qu\u2019en 1991. Kundera, suite \u00e0 cette tardive reconnaissance, imposa une condition&nbsp;: ses droits d\u2019auteur devraient servir \u00e0 une traduction de L.F. C\u00e9line en langue Tch\u00e8que&nbsp;!<\/p>\n<p>En 1970,&nbsp;<em>Risibles Amours<\/em>&nbsp;abordera ses th\u00e8mes favoris : l\u2019amour, la fid\u00e8lit\u00e9 et l\u2019identit\u00e9. Comme Nietzsche, il pense que l\u2019amour est une longue conversation. L\u2019amour, cette \u00e9preuve de v\u00e9rit\u00e9 qui ne souffre aucune \u00e9chappatoire\u2026<\/p>\n<p>Traduit en quarante langues, cit\u00e9 plus d\u2019une fois pour le prix Nobel de litt\u00e9rature, il arriva en France en 1975 et enseigna en Bretagne \u00e0 l\u2019Universit\u00e9 de Rennes. A cette \u00e9poque, les services secrets tch\u00e9coslovaques avaient un \u0153il sur lui. Communiste d\u00e8s l\u2019\u00e2ge de 18 ans, le parti l\u2019exclut en 1956 et le r\u00e9int\u00e8gre en 1970. R\u00e9put\u00e9 contestataire, il fut d\u00e9chu de sa nationalit\u00e9.<\/p>\n<p>En 2020, tout contentieux \u00e9coul\u00e9, Kundera, prit de sentimentalisme, offre \u00e0 sa ville natale Brno, son enti\u00e8re biblioth\u00e8que.<\/p>\n<p>Il obtint le prix M\u00e9dicis \u00e9tranger pour son livre foisonnant de sensualit\u00e9&nbsp;<em>La vie est ailleurs<\/em>.<\/p>\n<p>En 1979, il \u00e9crit un roman en forme de variation, sur les anges et l\u2019estompe de Prague&nbsp;<em>Le livre du rire et de l\u2019oubli<\/em>&nbsp;relate la vie d\u2019une femme immigr\u00e9e \u00e0 l\u2019afflux de son pass\u00e9. Cette ann\u00e9e-l\u00e0, je d\u00e9cidais d\u2019aller sur les traces de Kafka \u00e0 Prague. Une conservatrice de Mus\u00e9e m\u2019invita \u00e0 s\u00e9journer chez elle, du temps o\u00f9 je travaillais au Centre Pompidou. Dans ma valise, je glissais le r\u00e9cent livre de Kundera \u00e0 peine parcouru. A mon \u00e9tonnement, cet \u00e9crit, comme tant d\u2019autres, fut censur\u00e9 dans son pays. Aussit\u00f4t arrach\u00e9 par l\u2019h\u00f4tesse, il circula entre les mains avides et joyeuses de son entourage. Inconsciente, j\u2019avais brav\u00e9 de gros risques en le faisant passer\u2026<\/p>\n<p>En 1981, suite \u00e0 l\u2019\u00e9lection de la gauche, Mitterrand, fervent lecteur de Kundera, lui octroie la nationalit\u00e9 Fran\u00e7aise.<\/p>\n<p>Diderot lui inspire l\u2019\u00e9criture d\u2019une pi\u00e8ce&nbsp;<em>Jacques et son ma\u00eetre<\/em>. Il aime Cervantes, Kafka, Musil et Gombrowicz\u2026<\/p>\n<p>Suivront&nbsp;<em>La valse aux adieux<\/em>,&nbsp;<em>L\u2019insoutenable l\u00e9g\u00e8ret\u00e9 de l\u2019\u00eatre<\/em>, adapt\u00e9e au cin\u00e9ma par J.C Carri\u00e8re et P. Kaufman.<\/p>\n<p>Avec&nbsp;<em>L\u2019Immortalit\u00e9<\/em>, il r\u00e9ussit \u00e0 faire dialoguer Goethe et Hemingway&nbsp;!<\/p>\n<p>Pour la premi\u00e8re fois en 1993, il renonce \u00e0 sa langue maternelle et \u00e9crit dans un fran\u00e7ais \u00e9pur\u00e9 son roman&nbsp;<em>La lenteur<\/em>&nbsp;o\u00f9 il d\u00e9nonce la vitesse et le culte de la nouveaut\u00e9. D\u2019autres \u00e9crits suivront, dont&nbsp;<em>L\u2019identit\u00e9<\/em>&nbsp;en 1998 o\u00f9 il nous rappelle combien il croit \u00e0 l\u2019amour authentique.&nbsp;<\/p>\n<p>En 2011, il entre dans La Pl\u00e9iade, collection prestigieuse cr\u00e9e en 1931 o\u00f9 seuls dix auteurs vivants figurent. V\u00e9ritable cons\u00e9cration solennis\u00e9e.<\/p>\n<p>En 2019, lors de l\u2019exposition de F. Bacon au Centre Pompidou, avec M. Leiris et G. Deleuze, Kundera \u00e9crit un texte. Il y \u00e9voque des sensations physiques, troublantes ressenties devant les puissantes figures Baconiennes. Il s\u2019interroge&nbsp;: \u00ab&nbsp;Jusqu\u2019\u00e0 quel degr\u00e9 de distorsion un individu reste-t-il lui-m\u00eame&nbsp;? Pendant combien de temps un visage cher qui s\u2019\u00e9loigne dans la maladie, dans la folie, dans la haine, dans la mort, reste-t-il encore reconnaissable&nbsp;?&nbsp;\u00bb.<\/p>\n<p>Rien moins que des questions m\u00e9taphysiques sur l\u2019humain.<\/p>\n<p>Par le biais d\u2019un ami dissident Hongrois, un soir j\u2019eus le privil\u00e8ge de faire partie d\u2019un happy few r\u00e9uni chez lui \u00e0 Montparnasse. Un diner m\u00e9morable pour sa teneur intellectuelle. V\u00e9ritable banquet avec rebonds et controverses. Depuis, je tente de reconstituer ce genre de casting avec cette qualit\u00e9 d\u2019\u00e9change anim\u00e9 autour de ma table. Quelques ann\u00e9es plus tard je fus r\u00e9invit\u00e9e dans son ultime lieu dans le quartier de S\u00e8vres-Babylone, dans une impasse face au restaurant Le R\u00e9camier. Il savait extraire de nous le meilleur de nos r\u00e9flexions sur un ton civil empli de maturit\u00e9. Son exigence analytique toujours alerte, d\u2019homme peu dupe, reste pr\u00e9sente \u00e0 mon esprit telle une \u00e9thique de vie.<\/p>\n<p>Kundera, avec son regard bleu p\u00e2le aff\u00fbt\u00e9, nous manque d\u00e9j\u00e0.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Milan Kundera, in\u00e9galable auteur, par Vanessa De Loya Stauber &nbsp; Milan Kundera, immense \u00e9crivain Tch\u00e8que, nous a quitt\u00e9s \u00e0 94 ans. Un d\u00e9part pr\u00e9visible vu son \u00e9tat de grande fragilit\u00e9. Il reste difficile d\u2019apprivoiser l\u2019absence d\u2019un \u00eatre rare, devenu pr\u00e9cieux compagnon de lecture. Po\u00e8te, son premier recueil s\u2019intitulait&nbsp;L\u2019homme, ce vaste jardin. Pianiste initi\u00e9 par un&hellip;&nbsp;<\/p>\n","protected":false},"author":1,"featured_media":68394,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-68393","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Milan Kundera, in\u00e9galable auteur, par Vanessa De Loya Stauber | HARISSA.COM<\/title>\n<meta name=\"description\" content=\"Milan Kundera, in\u00e9galable auteur, par Vanessa De Loya Stauber &nbsp; Milan Kundera, immense \u00e9crivain Tch\u00e8que, nous a quitt\u00e9s \u00e0 94 ans. 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