{"id":71435,"date":"2025-11-23T22:35:28","date_gmt":"2025-11-23T22:35:28","guid":{"rendered":""},"modified":"2025-11-23T22:35:28","modified_gmt":"2025-11-23T22:35:28","slug":"la-statue-de-sel-dalbert-memmi-par-dr-samir-belahsen","status":"publish","type":"post","link":"https:\/\/harissa.com\/news-wp\/la-statue-de-sel-dalbert-memmi-par-dr-samir-belahsen\/","title":{"rendered":"La statue de sel d\u2019Albert Memmi – Par Dr Samir Belahsen"},"content":{"rendered":"
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La statue de sel d\u2019Albert Memmi – Par Dr Samir Belahsen<\/p>\n<\/div>\n<\/div>\n

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 <\/p>\n
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Par Samir Belahsen<\/span><\/div>\n<\/div>\n<\/div>\n
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A travers La statue de sel, Albert Memmi \u00e9claire la tension intime d\u2019un homme pris entre plusieurs mondes, sans jamais s\u2019en affranchir totalement. Entre h\u00e9ritage juif, culture tunisienne et langue fran\u00e7aise, l\u2019\u00e9crivain expose un d\u00e9chirement identitaire devenu matrice litt\u00e9raire. Samir Belahsen, \u00e0 travers e portrait crois\u00e9 relu \u00e0 la lumi\u00e8re de Camus, rappelle combien l\u2019\u0153uvre de Memmi reste actuelle : elle interroge la possibilit\u00e9 de concilier plusieurs appartenances sans renoncer \u00e0 soi.<\/p>\n

Samir Belhasen<\/strong><\/h3>\n

\u00ab Voici un \u00e9crivain fran\u00e7ais de Tunisie qui n\u2019est ni fran\u00e7ais ni tunisien. C\u2019est \u00e0 peine s\u2019il est juif puisque, dans un sens, il ne voudrait pas l’\u00eatre. Le curieux sujet du livre qui est aujourd\u2019hui offert au public, c\u2019est justement l’impossibilit\u00e9 d\u2019\u00eatre quoi que ce soit de pr\u00e9cis pour un juif tunisien de culture fran\u00e7aise.<\/strong> \u00bb<\/em><\/p>\n

Albert Camus<\/em><\/p>\n

\u00ab Nous tous, Fran\u00e7ais et indig\u00e8nes d’Afrique du Nord, restons ainsi ce que nous sommes, aux prises avec des contradictions qui ensanglantent aujourd\u2019hui nos villes et dont nous ne triompherons pas en les fuyant, mais en les vivant jusqu\u2019au bout. On jugera d\u00e8s lors du prix que j’attache, pensant ainsi, au beau livre de M. Memmi.<\/strong> \u00bb<\/em><\/p>\n

 Albert Camus.<\/em><\/p>\n

Albert Memmi (1921-2020), est un \u00e9crivain Tunisien, il est l\u2019auteur de plusieurs romans et essais.<\/p>\n

Son premier roman \u00ab La statue de sel \u00bb publi\u00e9 en 1953 a \u00e9t\u00e9 pr\u00e9fac\u00e9 par Albert Camus et a re\u00e7u le prix F\u00e9n\u00e9on en 1954. Il a aussi publi\u00e9 \u00ab Agar \u00bb 1955, \u00ab Le Scorpion \u00bb 1969 et \u00ab Le D\u00e9sert \u00bb en 1977.<\/p>\n

Son essai \u00ab Le Colonisateur et le Colonis\u00e9 \u00bb 1957, avait \u00e9t\u00e9 pr\u00e9fac\u00e9 par Jean-Paul Sartre. Quarante-neuf ans plus tard, en 2006, il a publi\u00e9 \u00ab D\u00e9colonisation et d\u00e9colonis\u00e9s \u00bb o\u00f9 il impute les souffrances des anciennes colonies aux dirigeants et gouvernements corrompus qui contr\u00f4lent ces \u00c9tats et non aux anciens colonisateurs.<\/p>\n

Il a collabor\u00e9 \u00e0 \u00ab L’Anthologie de la litt\u00e9rature maghr\u00e9bine \u00bb publi\u00e9e entre 1965 et 1969.<\/p>\n

Albert Memmi se d\u00e9finissait ainsi : \u00ab Je suis Tunisien mais de culture fran\u00e7aise ; je suis Tunisien mais juif ce qui fait de moi un paria politique et social ; je parle la langue du pays avec un accent particulier et \u00e9motionnellement je n’ai rien en commun avec les musulmans ; je suis un juif qui a rompu avec la religion juive et le ghetto qui ignore tout de la culture juive et d\u00e9teste la classe moyenne \u00bb.<\/p>\n

Pour d\u00e9finir son travail il avait dit :\u00ab Tout mon travail a \u00e9t\u00e9 en somme un inventaire de mes attachements ; tout mon travail a \u00e9t\u00e9, il faut le comprendre, une r\u00e9volte constante contre mes attachements ; tout mon travail \u00e0 coup s\u00fbr a \u00e9t\u00e9 une tentative de r\u00e9conciliation entre les diff\u00e9rentes parties de moi-m\u00eame \u00bb.<\/p>\n

Alliant les h\u00e9ritages juif, tunisien et fran\u00e7ais, Albert Memmi illustre bien la qu\u00eate identitaire.<\/p>\n

Dans La statue de sel on est dans un dialogue o\u00f9 le narrateur se risque \u00e0 concilier des appartenances qui paraissent conflictuelles.<\/p>\n

Memmi critique l’id\u00e9e d’une unit\u00e9 identitaire fixe, il appelle \u00e0 transcender les fronti\u00e8res et \u00e0 adopter la pluralit\u00e9 comme un plus. L\u2019auteur c\u00e9l\u00e8bre le d\u00e9sir d’\u00e9mancipation sans r\u00e9duire la diff\u00e9rence \u00e0 un primitif m\u00e9lange de traditions.<\/p>\n

Camus dans sa pr\u00e9face souligne que la qu\u00eate d’identit\u00e9 plurielle est cruciale il consid\u00e8re l\u2019alt\u00e9rit\u00e9 comme une force.<\/p>\n

Tunisien Juif et fran\u00e7ais <\/strong><\/h3>\n

C\u2019est le r\u00e9cit d\u2019un h\u00e9ritage culturel d\u2019une minorit\u00e9 juive enracin\u00e9e dans une soci\u00e9t\u00e9 tunisienne majoritairement musulmane influenc\u00e9e par l\u2019h\u00e9ritage colonial fran\u00e7ais.<\/p>\n

Dans \u00ab La statue de sel \u00bb, on per\u00e7oit une conscience aigu\u00eb de l\u2019appartenance plurielle. La synth\u00e8se des diff\u00e9rentes appartenances est complexe et fragile. D\u2019ailleurs son rapport \u00e0 chaque appartenance est complexe.<\/p>\n

Pour Memmi l\u2019appartenance n\u2019emp\u00eache pas la critique. L\u2019auteur, comme le narrateur, souffre entre respect ses origines juives, attachement sa culture tunisienne et regard admiratif mais critique sur l\u2019univers fran\u00e7ais.<\/p>\n

La statue de sel <\/strong><\/h3>\n

Le titre du roman est une m\u00e9taphore forte de l\u2019immobilit\u00e9. Il approche la qu\u00eate identitaire d\u2019un jeune Juif tunisien, issu d\u2019une famille modeste vivant \u00e0 Tunis sous le protectorat. Memmi aborde la question complexe de l\u2019appartenance : ni juif, ni arabe, ni fran\u00e7ais\u2026 Le h\u00e9ros cumule les rejets des autres et ceux qu\u2019il s\u2019impose.<\/p>\n

Le narrateur, introspectif, montre la tension entre ses appartenances culturelle, religieuse et nationale. Il devient un \u00eatre d\u00e9chir\u00e9 comme une statue de sel : transparent et inerte.<\/p>\n

L\u2019histoire raconte une enfance pleine d\u2019innocence avec des traditions religieuses et des comm\u00e9morations familiales. Puis vient une jeunesse o\u00f9 il a du mal \u00e0 entrer dans la culture fran\u00e7aise tout en restant loin de la Tunisie \u00ab arabe \u00bb, avec marginalisation et discriminations.<\/p>\n

L\u2019\u00e9criture est alors son refuge, son espace pour se r\u00e9concilier avec sa propre histoire ; c\u2019est sa fa\u00e7on lucide de transformer la souffrance du d\u00e9chirement en conscience claire.<\/p>\n

Memmi nous conduit \u00e0 penser l\u2019exil int\u00e9rieur, la solitude et le sort des minorit\u00e9s. Il explique la difficult\u00e9 d\u2019embrasser simultan\u00e9ment plusieurs cultures sans les hi\u00e9rarchiser, sans les rejeter et d\u2019\u00e9laborer une coh\u00e9rence int\u00e9rieure.<\/p>\n

C\u2019est une r\u00e9flexion sur l\u2019absurdit\u00e9 de cette qu\u00eate identitaire et sur la n\u00e9cessit\u00e9 de d\u00e9passer les divisions.<\/p>\n

Plusieurs auteurs ont trait\u00e9 la complexit\u00e9 de la question identitaire des Juifs maghr\u00e9bins. Ces r\u00e9cits sont marqu\u00e9s par l\u2019exil, la m\u00e9moire et les appartenances multiples.<\/p>\n

Dans \u00ab Parcours immobile \u00bb1980, \u00ab Le retour d\u2019Abou El Haki \u00bb1990 et \u00ab Mille ans un jour \u00bb, l\u2019\u00e9crivain et journaliste marocain Edmond Amran El Maleh (1917-2010) explore la jud\u00e9it\u00e9 \u00e0 sa mani\u00e8re plus ax\u00e9e sur les valeurs de justice \u00e9galit\u00e9.<\/p>\n

Dans son roman \u00ab Jacob, Menahem et Mimoun. Une \u00e9pop\u00e9e familiale \u00bb 1995 l\u2019historien Marcel Benabou d\u00e9crit les tiraillements entre m\u00e9moire jud\u00e9o-marocaine, identit\u00e9 fran\u00e7aise et engagement intellectuel.<\/p>\n

Tous ces auteurs tentent une r\u00e9flexion sur l\u2019identit\u00e9 fluctuante, la m\u00e9moire collective des minorit\u00e9s et le rapport \u00e0 l\u2019histoire coloniale et postcoloniale, la transmission des traditions d\u2019une certaine mani\u00e8re la reconfiguration juda\u00eft\u00e9.<\/p>\n

Sous d\u2019autres cieux, Gandhi disait : \u00ab Je ne veux pas que ma maison soit mur\u00e9e de toutes parts, ni mes fen\u00eatres bouch\u00e9es, mais qu’y circule librement la brise que m’apportent les cultures de tous les pays. \u00bb<\/p>\n

C\u2019est dire que l’identit\u00e9 est en constante \u00e9volution et qu’elle peut \u00eatre compos\u00e9e de plusieurs \u00e9l\u00e9ments.<\/p>\n

L’identit\u00e9 ne peut \u00eatre fig\u00e9e, elle se fait et se refait en permanence. L’identit\u00e9 plurielle est une \u0153uvre en cours\u2026<\/p>\n

L\u2019\u00e9criture peut servir de sel vivifiant.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

La statue de sel d\u2019Albert Memmi – Par Dr Samir Belahsen   Par Samir Belahsen A travers La statue de sel, Albert Memmi \u00e9claire la tension intime d\u2019un homme pris entre plusieurs mondes, sans jamais s\u2019en affranchir totalement. Entre h\u00e9ritage juif, culture tunisienne et langue fran\u00e7aise, l\u2019\u00e9crivain expose un d\u00e9chirement identitaire devenu matrice litt\u00e9raire. Samir… <\/p>\n","protected":false},"author":1,"featured_media":71436,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","footnotes":""},"categories":[],"tags":[],"class_list":["post-71435","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry"],"yoast_head":"\nLa statue de sel d\u2019Albert Memmi - Par Dr Samir Belahsen | HARISSA.COM<\/title>\n<meta name=\"description\" content=\"La statue de sel d\u2019Albert Memmi - Par Dr Samir Belahsen   Par Samir Belahsen A travers La statue de sel, Albert Memmi \u00e9claire la tension intime d\u2019un\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/harissa.com\/news-wp\/la-statue-de-sel-dalbert-memmi-par-dr-samir-belahsen\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La statue de sel d\u2019Albert Memmi - 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